Closing date correction for SOFAAR exhibits

It has just come to our attention that two textile art exhibitions announced on this blog one month ago have incorrect end dates.

The exhibitions, organized by the Society of Fibre Artists of Annapolis Royal (SOFAAR), were at the time reported as both running to the end of October.

In fact, one of the shows, Art of Fibre, will hang until October 13th, 2018.

The second show, East meets West, represents artwork from local and Vancouver artists. The western pieces came down on October 3rd. The local artwork will hang until the end of the month.

Apologies for any inconvenience or confusion this error may have caused.

Fourth SAQA Atlantic Retreat Rescheduled: November 9, 10, 11, 2018

Join SAQA Atlantic members at the Debert Hospitality Centre for a weekend of camaraderie, learning and inspiration! 

Program

Friday November 9th
3:00 - 5:00 p.m.  Arrival 
Arrival at Debert Hospitality Centre, room check in, meet and greet, orientation. 

Friday evening
Welcome by SAQA Atlantic area rep Regina Marzlin
Show & Tell

Saturday, November 10th
9-10:00  Lightning Talks
A series of quick presentations by SAQA members on a variety of topics, such as paper making, establishing your business, printmaking, etc. Details of the speakers and topics will follow. Each lightning talk will be 6 minutes in length, followed by a short Q and A and discussion period.

10:30  SAQA general meeting

1:30-4:30  Writing Professional Applications 
Presentation by Melanie Colosimo
Although our experience within the art community varies, we are all periodically confronted with the need to prepare an application for an exhibition, grant, or residency opportunity. Melanie will take us through the components of these applications, how they differ from one another, and from other types of writing (journalistic, business, scientific) with which we might be more familiar. She will teach us how to craft a project proposal, differentiate between an artist’s CV and an artist’s resume, and what is looked for in artist statements, artist bios, and the importance of visual materials.

Melanie Colosimo, is currently Director of the Anna Leonowens Gallery at NSCAD University in Halifax. You can learn more about Melanie and her work and experience at her website melaniecolosimo.com.

Saturday evening:
Show and Tell continues, social time, hand work

Sunday November 11th
Morning:  SAQA Mentorship program
Presentation by Regina Marzlin

Departure after lunch on Sunday.

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Cost:
The fee for the retreat is $240, which includes two nights accommodation and all meals. We appreciate receipt of a contribution from SAQA headquarters to make this event affordable. 

Please register for the retreat on or before October 25th, 2018. For more information or to register, contact our SAQA Atlantic representative Regina Marzlin.    

Please note that this event is for SAQA members exclusively. Not a member? You can join SAQA here!

Layered and Stitched... the Textile Artists Collective, October 5th-29th, Inverness, Cape Breton

Members of the Textile Artists Collective invite you to join them for the opening of Layered and Stitched, at the Inverness County Centre for the Arts in beautiful Inverness, Cape Breton, NS.

The exhibition will coincide with SAQA Atlantic Canada's juried regional show, Transitions, held in the same gallery, during Cape Breton's annual Celtic Colours festival. Three good reasons to make tracks for Cape Breton next month!

Participating artists:

Dawna deAdder, Cathy Drummond, Karen Henry,
Heather Kellerman, Susan Lilley, Heather Loney, 
Linda Mackie Finlay, Kate Madeloso, Regina Marzlin,
Fiona Oxford, Laureen van Lierop and Debbie Vermeulen

When:       October 6 - 29, 2018            
Opening:   6:00 - 8:00 pm, Friday October 5, 2018
Where:      Inverness County Centre for the Arts
                  16080 Highway 19, Inverness, Nova Scotia
Hours:       Tuesday to Sunday 11:00-5:00. Closed Mondays.
Phone:       902 258 2533
Email:        info@invernessarts.com

The Textile Artists Collective 

The Textile Artists Collective is a small group of independent Nova Scotia artists working in textiles and other fibres. Our creative explorations include a wide variety of surface design techniques such as painting, dyeing, printing, stitching, quilting, weaving, felting, collage, appliqué, stencil, applying resists and embellishing with beads or small objects.

The Society of Fibre Artists of the Annapolis River invite you to visit two textile art shows in Annapolis Royal

SAQA members Penny Berens and Grace Butland both have work in two current exhibitions presented by SOFAAR (Society of Fibre Artists of the Annapolis River). 

Goddess Emerging by Grace Butland, w10" x h10".
(East Meets West piece showing in Vancouver, BC).
Acrylic paint, image transfer, beading, hand-stitching and couching on cotton.

EAST MEETS WEST is a collaborative exhibition with the Vancouver Island Surface Design Association (VISDA). The exhibit features 10" x 10" pieces produced by members of both groups. The opening in Annapolis Royal is scheduled to coincide with the opening of a parallel show in Vancouver, with a video live feed connecting the two.

What:           East Meets West exhibition of textile art
Where:         King's Theatre, Annapolis Royal NS
When:          Ongoing until October 3, 2018. 
Reception:   2 pm, Saturday Sept 8, 2018


THE ART OF FIBRE, this year's SOFAAR members' exhibition, was curated by fibre artists Laurie Swim and Valerie Hearder. 

What:           THE ART OF FIBRE exhibition
Where:         Chapel Gallery at ARTsPLACE, Annapolis Royal NS
When:          Ongoing until October 13, 2018. 
Reception:   Sunday Sept 9, 2018, 1-8pm

Our beautiful fall weather is perfect for a drive to Annapolis Royal to catch both exhibits.  

Stone Pathways by Penny Berens
SOFAAR Members' Exhibition
Hand stitching on natural dyed and rusted linen, silk and cotton

SAQA Atlantic touring exhibition,Transitions, opening October 5th, in Inverness, Cape Breton

October 2018 will be a more exciting time than ever to visit Cape Breton Island!

This year, the Inverness County Centre for the Arts will feature two textile art exhibitions during the annual Celtic Colours Festival. SAQA Atlantic's travelling juried show, Transitions, will share the gallery with Layered and Stitched, an exhibition of textile art by the Textile Artists Collective.

Both shows open on Friday October 5th, coinciding with Celtic Colours, which runs from October 5th - 13th. While Celtic Colours is best known for its celebration of Celtic music, the festival program also includes a host of art and textile events including an Ecoprinting workshop to be held at the Inverness County Centre on Saturday October 6th. The complete Celtic Colours program can be seen here.

What:        Transitions, the SAQA Atlantic travelling exhibition

When:       October 6 - 29, 2018            

Opening:   6:00 - 8:00 pm, Friday October 5, 2018

Where:      The Inverness County Centre for the Arts

                  16080 Highway 19, Inverness, Nova Scotia

Hours:       Tuesday to Sunday 11:00-5:00. Closed Mondays.

Transitions Artists

Helene Blanchet - Julea Boswell - Grace Butland - Brigitte Dimock

Cathy Drummond - Kristi Farrier - Audrey Feltham 

Linda Finley - Heather Kellerman - Susan Lilley 

Heather Loney - Kate Madeloso - Regina Marzlin 

Holly McLean - Fiona Oxford - Deb Plestid 

Anne Morrell Robinson - Ann Schroeder - Kathy Tidswell

Read more about the SAQA Atlantic regional textile art show, Transitions, on our blog.

Halifax in Transition II: Citadel Hill Clock 

by Heather Loney  h23" x w26"

See My Corner of the World – CANADA, in Eastern Ontario until September 22, 2018

POPLAR  POINT by artist Jaynie Himsl, Weyburn, SK

Consider a road trip to the Mississippi Valley Textile Museum in Almonte ON, to see the the peripatetic My Corner of the World - Canada exhibit, featuring the work of 40 SAQA artists, eight of whom are from Atlantic Canada.

The exhibition has toured widely since its opening in May 2015. The response from thousands of visitors around the world – both fibre artists and the general public has been exceptional, calling it “magical” and “breathtaking”. 

Artwork of Maggie Vanderweit, Gunnel Hag, Holly McLean
 and Judith Martin greet visitors at the entrance of the Museum.

The weekend September 8-9th might be a good time to visit, when hundreds of fibre enthusiasts come into the village of Almonte for FIBREFEST 2018.


Where:               Mississippi Valley Textile Museum
Address:            3 Rosamond St E, Almonte ON K0A 1A0
Phone:               613-256-3754   
Summer Hours: Tuesday to Sunday 10-4.   Closed Monday
Admission:         $7.00  Children under 12 free!

Left to right: Artwork by  Sandra Betts, NS; Millie Cumming, ON,
Terry Aske, BC and Lynne McCulloch, ON

Note: Photos and much of the content of this message are re-posted from Bethany Garner's post on the SAQA Central Canada blog, August 4, 2018.

Kathy Tidswell Interview: Painter, Quilter, Teacher

Transitions II by Kathy Tidswell (2017) w22” x h34”

Kathy Tidswell is a New Brunswick fibre artist and teacher, well-known for her thread-painted pieces, quilted wall hangings and wearable art. Kathy’s work has been widely published within Canada and beyond. She has taught at five Quilt Canada conferences and is a recipient of the Canadian Quilters’ Association Teacher of the Year Award.

Kathy’s wearable art has earned an Award of Excellence and an Honourable Mention at CQA National Juried Shows. Her wall quilts have made it into The Grand National Juried Quilt Exhibitions, CQA National Juried Shows, SAQA regional juried shows and the Contemporary Canadian Art Quilts Exhibition. Her thread paintings have hung in solo and group exhibitions including Threadworks 2010 and 2013.

Kathy Tidswell sells her work from her home studio and gallery in Burtts Corner NB. 

How would you describe your work?

My work is usually realistic. Whether it’s a small thread painting or a larger wall quilt, you can generally see the influence of nature. 

Much of my work begins with my own painting on fabric which I then enhance with thread painting. Sometimes I work with commercial fabric to create wall quilts but even those often include some of my own painted fabric as well. 

Winter by Kathy Tidswell (2008) w 20.5” x h 24.5”

Describe your journey towards becoming an artist who works with textiles. 

My mother and both grandmothers were embroiders, quilters, rug hookers and crocheters, and taught me all these skills as a child. As a young adult, I had a career in forest genetics with the Canadian Forestry Service. That experience and my scientific background may account for some of my attention to detail and my interest in depicting trees. 

Later, as a stay-at-home mom, I made two quilts for my daughter’s bunkbeds. Soon after, I joined the Fredericton Quilters’ Guild and attended a workshop taught by Anne Boyce, who taught me to use the sewing machine for appliqué and quilting. Around the same time I saw a booklet entitled Thread Painting, by Liz Hubbard. It had beautiful British gardens and cottages done with free-motion embroidery over a painted background. I was hooked!

I took drawing, watercolour and oil painting lessons to better my skills for painting the backgrounds. I worked on my free-motion embroidery skills. And since most of this stitched-over-painted-fabric work came from the UK, I combined a visit to see my daughter with a 4-day course with teacher Allison Holt in Wales. Gradually, I began to develop my own style and approach.

Wearable art by Kathy Tidswell (2017) 

Tell us about your process for creating. Where do you find your inspiration and how do you get from that to a final product?

My inspiration generally comes from nature. I get ideas for the painted backgrounds from photographs. If I’m working on a wall quilt for a competition I often muse over the theme for a long time and draw up several different ideas before I begin. 

Working from my photograph, I make a detailed drawing on paper and then trace it onto white cotton fabric. Next, I paint the background using Pebeo Setacolor. The painting may take two or three sittings to complete. 

When I’m happy with the painting, I add texture and bring it to life with free-motion embroidery. I enhance perspective by leaving a painted area in the distance unstitched. Moving into the foreground, the stitching becomes progressively brighter, larger and more detailed. I sometimes create a 3-D effect by attaching appliqués of birds or flowers that I make entirely from thread, using free-motion zigzag stitching.

Great Blue Heron by Kathy Tidswell (2016) w15” x h17”

Do you have a studio, or do you work wherever you can find a spot?  

My studio is a second-storey porch addition built by my husband. It’s lovely and bright with windows on three sides, but it’s small, so my work has spread throughout the house. My threads and smaller pieces of fabric are stored in a chest in the hallway just outside the studio. I’ve taken over a bedroom for cutting; the kitchen table is where I tend to do the painting. I also have a teaching studio and gallery on the ground floor. The only thing missing is a permanent design wall.

What are you currently working on and why?

Just now, I’m working on a black and white portrait of my grandmother. I’ve been wanting to make it ever since I found a photo of her a couple of years ago. I’m hoping to use the portrait as my entry for the upcoming Grand National exhibition, themed Still.

Do you teach or have a business of your artwork?

I split my time between teaching, creating wall quilts for competitions and producing thread paintings, which I sell at craft shows. Teaching has been a big part of my life for over 20 years. I have a small teaching studio in my home and offer classes in a variety of techniques, including thread painting, machine appliqué, using paints on fabric, creating 3-D thread appliques and using Inktense pencils to create appliqués.

One of the most exciting moments in my career was when I first got word that I’d been accepted to teach at the Quilt Canada conference, which was in Toronto in 2000. That was outdone only when I received the Canadian Quilters’ Association Teacher of the Year award five years later.

I’ve taught and delivered slide/trunk presentations at five Quilt Canada conferences and for guilds and shops in almost every province. I’ve taught twice in Luxembourg and have three presentations scheduled for this fall in the UK. 

My teaching experiences in Luxembourg began with enquiries I made at a quilting and craft shop I came across while visiting that country. Lynne Edwards, a teacher and friend from the UK, once told me that whenever she travels she notifies groups in the vicinity that she will be available for teaching. I’ve since adopted her philosophy. 

When planning an upcoming visit with my daughter, I obtained a list of quilting and embroidery groups from British organizers and contacted several around Portsmouth (England), telling them when I expected to be in the area. This resulted in the three slide/trunk shows I have scheduled there this fall.

Splendour of the Caribbean by Kathy Tidswell (2013) w18.5” x  h14.5”

How do you show and sell your work? Where can it be seen?

Currently, (August 3- October 9, 2018) my work can be seen in a solo exhibition entitled Nature’s Thread 2018 at the Charlotte Street Arts Centre in Fredericton NB.

A selection of my work will be for sale at a Christmas market with the Fibre Arts Network group (FAN) on November 10, 2018 at the Knights of Columbus Hall in Fredericton.

And my thread paintings can be seen by chance or appointment at my home studio and gallery in Burtts Corner NB.

Recently, while serving a one-week artist residency in Fredericton’s historic Garrison District, I was interviewed by Mark Kilfoil of CHSR radio. The interview can be heard as a podcast until early September at CHSR-FM 97.9 | The Lunchbox Interview/ Kathy Tidswell (Fibre Artist).

What are your goals for the coming year?

My goal is to enjoy the process more, without worrying so much about perfection. I often get too intense over a piece, especially if it’s for a competition. I hope to develop a more relaxed way of working and to just wait and see how the piece turns out.  

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You can read more about Kathy Tidswell and her artwork on her website Kathy Tidswell Fibre Artist.

As Day Ebbs by Kathy Tidswell (2014) w20” x h31”